Famous for the Qatsi trilogy of Koyaanisqatsi, Powaqqatsi, and Naqoyqatsi, director Godfrey Reggio has made another exquisite visual poem in Visitors, his first film in over a decade.

Shot in dazzling black and white, the film proves once again that Reggio is a visual genius, open to the magic of experience, masterly at editing his images into a work that calls upon its audiences to find their own meaning in the piece. More akin to music than narrative storytelling, Visitors creates moods and tones, allowing each of us to explore potential connections and associations.

At times we enter an almost dreamlike state — notably with Reggio’s meditation on human hands, as expressive as faces, interacting with technological tools (touchscreens, keyboards) that have been removed from the frame. The effect is mesmerizing, and Philip Glass’s score is a perfect complement.